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1. PT Sans Pro

PT Sans Pro sample

PT Sans Pro is a comprehensive type family intended for a wide range of applications. It consists of 32 styles: 6 weights (from light to black) with corresponding italics of normal proportions; 6 narrow styles; 6 condensed styles; 6 extra condensed styles and 2 caption styles (regular and bold). Details »

2. Futura PT

Futura PT sample

Futura was designed for Bauer company in 1927 by Paul Renner. This is a sans serif face based on geometrical shapes, representative of the aesthetics of the Bauhaus school of the 1920s-30s. Details »

3. Circe

Circe sample

Circe is a geometric sans-serif with some humanist features in 6 weights from Thin to Extra Bold. The name of the font is derived from both its geometric shapes and artificial, kinky nature. Details »

4. ITC Avant Garde Gothic

ITC Avant Garde Gothic sample

ITC Avant Garde Gothic was designed for the International Typeface Corporation by Herbert Lubalin and Thomas Carnase in 1970. Oblique versions were added in 1977 by Andre Gurtler, Christian Mengelt and Erich Gschwind. Details »

5. Pragmatica

Pragmatica sample

The typeface was designed at ParaType (ParaGraph) in 1989-2004 by Vladimir Yefimov and Olga Chaeva as a spin-off from Encyclopedia-4 type family of the Polygraphmash type design bureau (1987, Vladimir Yefimov and Isay Slutsker). Pragmatica was inspired by Helvetica (Neue Haas Grotesk) of Haas typefoundry, 1957, by Eduard Hoffman and Max Miedinger. Details »

6. FF DIN Pro

FF DIN Pro sample

Dutch type designer Albert-Jan Pool created this sans FontFont between 1995 and 2009. The family has 20 weights, ranging from Light to Black in normal and condensed styles (including italics). Details »

7. FreeSet

FreeSet sample

The FreeSet type family in four basic styles, based on Frutiger, of Mergenthaler Linotype, 1976 by Adrian Frutiger, was designed in ParaType (ParaGraph) in 1992 by Tagir Safayev. Frutiger font was originally aimed to be used on the new Charles de Gaulle Airport at Roissy signs. Details »

8. Stem

Stem sample

Stem is a geometric sans serif with semi-closed aperture and large x-height. 12 faces of it, including upright and true italic faces of different weights, are intended primarily for large point sizes. Details »

9. ITC Korinna

ITC Korinna sample

The typeface was designed for the International Typeface Corporation in 1974 by Edward Benguiat and Victor Caruso. Based on an original design by H. Berthold type foundry (Germany) cut in 1904. Details »

10. ITC Charter

ITC Charter sample

Designed in 1987 by Matthew Carter as the first original typeface of Bitstream, Inc., it was licensed by the International Typeface Corporation in 1993. Details »

11. Calendula

Calendula sample

Calendula is a humanistic font with low contrast and one-sided serifs. There are eight styles: four regular of different weights from Light to Bold and corresponding italics. Details »

12. Friz Quadrata

Friz Quadrata sample

riz Quadrata was designed by Ernst Friz for Visual Graphic Corp. in 1965 and released by ITC in 1974. Details »

13. Izhitsa

Izhitsa sample

The typeface is based on cast metal type originally named Kirillitsa designed at Polygraphmash type design bureau by Svetlana Yermolaeva in 1988. Kirillitsa typeface was inspired by typographic poluustav of the Printing Office of the Russian Empire Academy of Science (late 19th century). Details »

14. Helios

Helios sample

The typeface was designed at TypeMarket in 1993-1996 by Alexey Kustov and Sergey Shanovich. Based on Helvetica™ by Eduard Hoffmann and Max Miedinger, Linotype, 1957. Details »

15. Cooper

Cooper sample

Bitstream Cooper was designed at Bitstream in 1986 by means of adding light, medium, and bold styles, with the corresponding italics, to the existing black ones. Based on Cooper Black, 1919, by Oswald Bruce Cooper, which was firstly released as a hand composition font in 1922 by Barnhart Brothers & Spindler of Chicago and later spread by ATF. Details »

16. ITC Benguiat

ITC Benguiat sample

Designed for the International Typeface Corporation in 1977 by Edward Benguiat. A roman face with exaggerated sharp serifs, ITC Benguiat shows a fairly strong Art Nouveau influence. Details »

17. Romul

Romul sample

The typeface was designed at TypeMarket in 1995 by Sergey Shanovich. Details »

18. Futura

Futura sample

Futura is a registered trade mark of Neufville, SL, that was designed for Bauer company by Paul Renner in 1927. This is a sans serif face based on geometrical shapes, representative of the aesthetics of the Bauhaus school of the 1920s-30s. Details »

19. DIN 2014

DIN 2014 sample

DIN 2014 is a contemporary version of a well-known DIN typeface. The Regular performs well in long text settings, while Light and Bold faces are extremely legible at large sizes. Details »

20. Academy

Academy sample

Academy was designed circa 1910 at the Berthold type foundry (St.-Petersburg). Details »

21. Opium New

Opium New sample

The typeface was designed at TypeMarket in 1996 by Sergey Shanovich, basing on Optima by Hermann Zapf, 1958. Details »

22. Vacansia

Vacansia sample

The typeface was designed at Double Alex Font Studio in 1996 by Alexey Chekulaev basing on Copperplate Gothic by Frederic W. Goudy, 1901. Details »

23. Baltica

Baltica sample

Designed at Polygraphmash type design bureau in 1951-52 by Vera Chiminova, Isay Slutsker, et al. Based on Candida of Ludwig & Mayer, 1936, by Jakob Erbar. Details »

24. Surpriz

Surpriz sample

The typeface was designed at Double Alex Font Studio in 1993 by Alexey Chekulaev, basing on modern version of ITC Souvenir by Edward Benguiat, 1972. Details »

25. ITC Kabel

ITC Kabel sample

The typeface was designed for the International Typeface Corporation in 1976 by Victor Caruso based on Kabel typeface of Klingspor type foundry, 1927, by Rudolf Koch. It was redrawn by ITC under the license from the Stempel foundry. Details »