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1. Helios

Helios sample

The typeface was designed at TypeMarket in 1993-1996 by Alexey Kustov and Sergey Shanovich. Based on Helvetica™ by Eduard Hoffmann and Max Miedinger, Linotype, 1957. Details »

2. Circe

Circe sample

Circe is a geometric sans-serif with some humanist features in 6 weights from Thin to Extra Bold. The name of the font is derived from both its geometric shapes and artificial, kinky nature. Details »

3. Rodchenko

Rodchenko sample

Rodchenko was designed at ParaType in 1996-2002 by Tagir Safayev, inspired by the works of Russian Constructivists of the 1920s and 30s: Alexander Rodchenko, Varvara Stepanova, Vladimir and George Stenberg, Gustav Klutsis and others. A geometrical, caps and small caps only, sans serif design. Details »

4. Magistral

Magistral sample

The first three weights of the family were designed at ParaType (ParaGraph) in 1997 by Dmitry Kirsanov. They were based on the artworks of Moscow graphic designer Andrey Kryukov (1923-1997). Details »

5. Futura PT

Futura PT sample

Futura was designed for Bauer company in 1927 by Paul Renner. This is a sans serif face based on geometrical shapes, representative of the aesthetics of the Bauhaus school of the 1920s-30s. Details »

6. Izhitsa

Izhitsa sample

The typeface is based on cast metal type originally named Kirillitsa designed at Polygraphmash type design bureau by Svetlana Yermolaeva in 1988. Kirillitsa typeface was inspired by typographic poluustav of the Printing Office of the Russian Empire Academy of Science (late 19th century). Details »

7. Circe Rounded

Circe Rounded sample

Circe Rounded is an extension for popular Circe typeface, with rounded terminals. Bold and ExtraBold faces have two variants with different radius of the terminals. Details »

8. Iowan Old Style

Iowan Old Style sample

Iowan Old Style was designed for Bitstream in 1990 by noted sign painter John Downer. Iowan Old Style is a hardy contemporary text design modeled after earlier revivals of Jenson and Griffo typefaces but with a larger x-height, tighter letterfit, and reproportioned capitals. Details »

9. Petersburg

Petersburg sample

Petersburg was designed at ParaType (ParaGraph) in 1992 by Vladimir Yefimov, basing on Kudryashevskaya Encyclopedicheskaya of Polygraphmash, 1960–74, a typeface by Nikolai Kudryashev and Zinaida Maslennikova. A very lightweight style with neutral letterforms, it is quite space-saving. Details »

10. Deca Serif New

Deca Serif New sample

Deca Serif New is a significantly revised version of Deca Serif. It is a pure low contrast serif face with squarish oval shapes and quite narrow proportions. Details »

11. ITC Kabel

ITC Kabel sample

The typeface was designed for the International Typeface Corporation in 1976 by Victor Caruso based on Kabel typeface of Klingspor type foundry, 1927, by Rudolf Koch. It was redrawn by ITC under the license from the Stempel foundry. Details »

12. ITC Officina Serif

ITC Officina Serif sample

This typeface was designed for the International Typeface Corporation in 1990 by Eric Spiekermann and Just van Rossum. Designed as a stepping stone from typewriter type to traditional typographic design. Details »

13. ITC Charter

ITC Charter sample

Designed in 1987 by Matthew Carter as the first original typeface of Bitstream, Inc., it was licensed by the International Typeface Corporation in 1993. Details »

14. FF DIN Pro

FF DIN Pro sample

Dutch type designer Albert-Jan Pool created this sans FontFont between 1995 and 2009. The family has 20 weights, ranging from Light to Black in normal and condensed styles (including italics). Details »

15. Lazurski

Lazurski sample

Lazurski was designed at Polygraphmash in 1984 by Vladimir Yefimov. It is based on a hot-metal typeface (1962) by Moscow book designer Vadim Lazurski (1909-1994), inspired by the early 16th century typefaces of Italian Renaissance. Details »

16. Pragmatica

Pragmatica sample

The typeface was designed at ParaType (ParaGraph) in 1989-2004 by Vladimir Yefimov and Olga Chaeva as a spin-off from Encyclopedia-4 type family of the Polygraphmash type design bureau (1987, Vladimir Yefimov and Isay Slutsker). Pragmatica was inspired by Helvetica (Neue Haas Grotesk) of Haas typefoundry, 1957, by Eduard Hoffman and Max Miedinger. Details »

17. SchoolBook

SchoolBook sample

The typeface was designed at the Polygraphmash type design bureau in 1949-61 (project manager Elena Tsaregorodtseva). Based on Shkolnaya ('School') typeface, 1939 (project manager Evgeny Chernevsky), a version of Century Schoolbook of American Type Founders, 1915-1923 by Morris F. Details »

18. Baltica

Baltica sample

Designed at Polygraphmash type design bureau in 1951-52 by Vera Chiminova, Isay Slutsker, et al. Based on Candida of Ludwig & Mayer, 1936, by Jakob Erbar. Details »

19. Leksa Sans

Leksa Sans sample

Leksa Sans is a humanist sans-serif face with low contrast. The family consists of 14 faces (upright & true italic in seven weights from Extra Light to Black). Details »

20. PT Sans Pro

PT Sans Pro sample

PT Sans Pro is a comprehensive type family intended for a wide range of applications. It consists of 32 styles: 6 weights (from light to black) with corresponding italics of normal proportions; 6 narrow styles; 6 condensed styles; 6 extra condensed styles and 2 caption styles (regular and bold). Details »

21. Original Garamond

Original Garamond sample

The Stempel foundry in Germany produced this version of Garamond in 1925 as a replica of a typeface of a French punchcutter Claude Garamond (middle of the 16th century). This design has an angular incised appearance which is unlike other Garamond types. Details »

22. ITC Benguiat

ITC Benguiat sample

Designed for the International Typeface Corporation in 1977 by Edward Benguiat. A roman face with exaggerated sharp serifs, ITC Benguiat shows a fairly strong Art Nouveau influence. Details »

23. Bell Gothic

Bell Gothic sample

The Bitstream version of Bell Gothic designed by Chauncey H. Griffith in 1938 for telephone directories of the Bell Telephone Company. Details »

24. ITC Stone Sans

ITC Stone Sans sample

ITC Stone Sans was designed in 1988 by Sumner Stone as a part of ITC Stone super-family, an extended family of designs including three sub-families: Serif, Sans and Informal. All of these designs can interrelate with each other perfectly and still be able to stand on their own as distinctive typestyles. Details »

25. Romul

Romul sample

The typeface was designed at TypeMarket in 1995 by Sergey Shanovich. Details »